الصورة الفنية في شعر الملك الأمجد

Abstract

the Silleebain wars incidents and its effective impact on the history of Arabic literature, the researcher was stopped at this point to study one of its topics: (the study of the artistic image in King Amjad's poetry). The nature of the research required the researcher to address this subject according to descriptive analytical methodology including the following axes: The first axis included the definition of the technical image by reviewing the views of the critics and then giving a brief overview of the poets’ attribution, namely Abu al-Muthaffar Bahram Shah bn Frukh ​​Shah bn Ayyub bn Shathi from the tribe of Al-Rawadiyya battin from Al-Hithbanyia a large tribe of Kurds, the references to which he translated his life news have been overlooked and his death was mentioned by the majority of the historians, 628 Hijri, and then his poetical statement, which was characterized by the existence of a lot of difficult linguistic vocabularies such as ais, hibban, khashash, aran, haghl, and shidman. The second axis dealt with the study of the sources of the artistic image in his poetry and divided it on: war and its tools, women, nature, place, and the wine, the third Axis: rhetorical statement phenomena in the study of the technical picture consisted: analogy, metaphor and metonymy, and quotation and embedding, and contrast, the fourth axis was concerned with the study of the image and senses represented by the patterns of sensory image in the poetry of the poet were based on the following types: audio image, visual image and its division on the visual image of animation, and the static visual (color) and then other types of images, Then these axis will be summarized in Arabic and English, followed by a list of the margins of the research and its sources used in the study of research.

               In conclusion, the researcher hopes that she would be lucky in this research, and it is Allah's success.

           The fourth axis was concerned with the study of the image and senses

represented by the patterns of sensory image in the poetry of the poet were based on the following types: audio image, visual image and its division on the visual image of animation, and the static visual (color) and then other types of images, Then these axis will be summarized in Arabic and English, followed by a list of the margins of the research and its sources used in the study of research.